i just wanna know: who broke it?
[Sheena'd thought she was all done with dimensional travel, now that the two worlds were united. But here she is, having fallen asleep in one world and woken up in a Tethe'alla that's just different enough from the one she knows to be constantly jarring. Her connections to Aselia's summon spirits dangle loose, snapped by distance - not even Origin's power could follow her here, it seems. That's more than a little unsettling.
It takes her some time, alone in a bizarro version of Meltokio as she is, but eventually she stumbles on a lead - an old scientific journal, a mention of the power of something called an Aegis being able to transcend space and time, at least in theory. And a little asking around tells her that Tethe'alla has its own Aegis, though no one's seen it for years. Well. Worth a shot, right?
Somehow she manages to talk her way into the Tethe'allan castle where the Aegis's core crystal awaits being woken up, with a series of smiles and her very best politicking - yes, of course she's got nothing but loyalty for Tethe'alla, of course she's skilled at this, of course it'd be a great honor.
(Zelos would be proud, she thinks, wryly.)
They're dubious, but her persistence wears them down, or maybe they're just desperate enough for a return of the Aegis's power to let her try, and the orange core crystal is offered out to her.
She takes a deep breath, and reaches out to touch it.]
It takes her some time, alone in a bizarro version of Meltokio as she is, but eventually she stumbles on a lead - an old scientific journal, a mention of the power of something called an Aegis being able to transcend space and time, at least in theory. And a little asking around tells her that Tethe'alla has its own Aegis, though no one's seen it for years. Well. Worth a shot, right?
Somehow she manages to talk her way into the Tethe'allan castle where the Aegis's core crystal awaits being woken up, with a series of smiles and her very best politicking - yes, of course she's got nothing but loyalty for Tethe'alla, of course she's skilled at this, of course it'd be a great honor.
(Zelos would be proud, she thinks, wryly.)
They're dubious, but her persistence wears them down, or maybe they're just desperate enough for a return of the Aegis's power to let her try, and the orange core crystal is offered out to her.
She takes a deep breath, and reaches out to touch it.]
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Zelos walks over to the three others, not even looking down as he avoids stepping over a charred corpse. Couple of brutes, these two, but--fine, then. If no one else is going to think logically here, then it falls to Zelos to do the thinking in the first place.
This is getting bad, actually. Mithos and Lloyd will probably just continue fighting their way in if nobody stops them, and Malos' sluggishness will grow worse the longer Anna stays in the building. He will be pretty useless in a fight, but Mithos is right in that splitting up is a terrible idea considering they have two Aegises here.
But... two Aegises is a whole lot of power to hold in a single, closed space, though. So, sonsidering that...
"Malos doesn't have to fight. All he needs to do is focus on guiding us through the building," Zelos points out. He quickly walks over until he's positioned himself close to Mithos, fighting off the discomfort the proximity brings, and turns his attention to Lloyd instead, gesturing between him and Malos. "Lloyd, you cover for him at the rear. And meanwhile," he gestures between him and the other Aegis, "Mithos and I take the vanguard. We clear?"
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But it's fine. That's not going to happen. Instead, Lloyd takes a deep breath and nods, allowing the reminder that his family is being held captive push anger beyond whatever stress the idea of splitting up gave him. This isn't about him right now, he'll be fine, they'll all be fine, just a standard rescue mission and then tearing this place to pieces, not giving anyone a chance to get the jump on them again like this. Just guard Malos, keep him safe, and help his family get out of their captivity. Nothing to worry about.
"Alright," Lloyd says, setting a determined edge to his gaze, tightening the grip on his swords. "Can do!"
oops
Oh.
"Hold on, hold on," he says, stopping just long enough so he can be certain of the direction of the signal. It's a straight line down the hallway they nearly walked past. He reaches out to grab Lloyd and pull him with, not stopping long enough to let Mithos and Zelos lead like they're supposed to. It's fine, it's fine, the hallway looks empty, and the resonance sings with a closeness that means-- "This way, we're almost there."
He tugs on the resonance for Anna's attention, gets a cautious, hopeful: "Malos??" from his daughter in response. Grinning, he lets go of Lloyd and sprints ahead--
A noise, from behind. Malos spins around and then stops, horrified, when he sees what's just happened. A fortified door coming down from the ceiling has just closed, locking him and Lloyd in here with the rest of the cells, and leaving the Aegises on the other side.
Well, shit.
THANKS
And then Malos runs off, pulling Lloyd along as they disappear through a hallway together.
If Zelos had a heart, he's pretty sure that this would be where it stops beating. "Malos!" the Aegis calls out, risking a glance at Mithos before following the blade. He feels cold. Oh, Architect, this isn't happening. This is-- "Malos! Malos!"
Zelos' cries go unanswered, choked out by a loud curse falling from his lips as a fortified door comes down where Malos ran off to. Without really thinking about it, with the resonance between him and Sheena full of unadulterated anger and frustration and fear, Zelos runs up to it and begins punching his fists against it, kicking it, anything. He's losing composure. He needs to think logically, but he can't. He needs to get through this door and see the others, but he can't--
A sound from behind stops him in his tracks, accompanied by the tell-tale feeling of the ambient ether in the room shifting dangerously, held tight and concentrated somewhere. But it feels... sick, not right. It gives him goosebumps. Slowly, Zelos turns around to look at the source.
There, at the end of a hallway and surrounded by several guards, stands a blade holding a glowing staff in her right hand.
WE FUCKEDT IT
The ether's wrong, but Mithos couldn't care less. He's an Aegis. It doesn't matter to him. He growls something wordless and furious-- And then he really looks at the blade with the staff. Her ether signature's not right, not close, but she... A sharp face framed by green hair, even though the majority of it is tied up behind her head. That might as well be the same face as--
Martel.
It can't be. It can't be. He'd know.
"What kind of sick joke is this!?" Mithos spits, his sword burning brilliant in his hand. He's too furious to be curious, really. Doesn't want for a response before he's already pulling ether out of his own core since the ambient ether isn't responding, gathering energy for as powerful of a blast as he dares. He hopes to level the playing field in one go. Collateral damage to the building doesn't matter. Kratos is behind him. He won't be hurting anyone who doesn't deserve it.
But Mithos doesn't get that far.
The blade that looks like Martel raises her staff. There's a sound like a ringing bell.
The ambient ether shifts, polarizes, clings to Mithos and neutralizes everything he's doing. And then it presses down on him, and he feels like he is choking. He has just enough ether that he's not in immediate danger, but he doesn't have enough to think, and he cannot move. The ambient ether-- the blade's ether presses down on him, down, down, forces him to his knees.
"Wh- what--" he gasps out, terror singing loud and clear in his core, drowning out everything else.
He can't do anything to stop it. He can't do anything at all.
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And so Zelos chokes.
The fight has already been drained out of Zelos, replaced with raw terror, so the pressure of that blade's ether brings him to his knees faster than it did Mithos, leaves him coughing and gasping for air as if it were constricting his lungs. Cold, harsh horror spreads through his whole body when that ringing sound engulfs his hearing, presses down against his temples, the ambient ether around Zelos muddled up and disgusting and clinging to him like restraints--
Despite them being wide open, his eyes are so lost that Zelos still can't see anything. He gasps as if breaking the surface of water, and it brings a flash of light to his sight before it all goes dark again; he is completely on the floor now. When that happened, he doesn't know. Weakly, Zelos moves a hand to reach out to where he thinks Mithos' signal is, but halfway through that, it stops. He tries again, and nothing. So he can't move his hand anymore, either. That's great.
Another gasp brings more light, and-- something lifts him. He feels weightless now, his teeth buzzing as if he were going to throw up, that ringing in his ears almost as overpowering and disorienting as the cannon shot in the caves. Zelos gags. Where is he? Where's Mithos? He can't pinpoint the other's signal as well anymore, either--it feels like the Aegis is to his left, to his right, up, below, behind him, everywhere.
This can't go on forever. It cannot. There's no way it can, it can't, it can't, it can't it can't it can't--
The ringing stops.
Zelos drags a huge gulp of air into his lungs, chokes on it, coughs. He shuts his eyes tight. There's a tingling sensation in his hands, and he flexes his fingers to get some sensation back into them as he slowly regains composure. He can feel some pressure against his stomach, so he guesses he must be lying face-down. Okay, okay. Zelos cracks open one eye, and even if the visuals are muddy, he can still see the blinding white of--
bright, bright, bright as lights flood in before they're taken away
and he's left with only his ether lines and core crystal to see with
but they have so many cables attached to them and when the lights go out that's when it starts
that's when they take
that's when they take take take take take take--
Every single one of his thoughts come to an abrupt stop as Zelos freezes, body locking in on itself in its current position. He can't move. He can't speak. Eyes wide and mind numbingly static, he simply lays there on his stomach and stares off into nothingness, mind miles away as it waits for the lights to go out at any second now.
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The confinement chamber is small. The ceiling average height, the floor only five paces each way. Not much room. But enough room to pace-- around Zelos, who lays sprawled on his stomach and is completely immobile. That registers in Mithos' brain as worrying, but only distantly. He marches to where the door is. There's no way to open it, from this side. Mithos kicks it. Screams. Digs his fingers into the cracks in attempt to pry it open. No use. Work smarter.
The texture of the walls and the door makes him pretty sure what the end result will be before he even tests, but he tests anyway, just to be sure. Summoning a small amount of unaligned ether to his fingertips, Mithos presses it against the door. The ether immediately rebounds, burning his fingertips. Mithos hisses. Snarls. Kicks the door one more time.
"Very fucking funny!" he shouts, even though it isn't funny at all. "You think you can get away with this!? You can't! Someone-- someone will stop you!! Once you open this fucking door I'll stop you!! You just-- You have to-- You can't--!"
He slams his fists against the door, his breaths all coming sharp and quick. This is so stupid. The thought of confinement is making him furious and terrified and he doesn't know what they're going to do to him and they have Kratos and now they're going to--
Mithos slumps to the floor, knees bent under him, one arm still braced against the sealed door, the side of his head falling against it. He sits there in silence for a moment. Breathes.
"It's- fine, it's fine," he mutters to himself. "Sylvarant took us, so it's not like we'll be carted off to Tethe'alla." He shifts how he's sitting, lets his arm fall to the floor, twists his body so his back is to the door instead. "I don't know what Sylvarant will do with us. I mean, kill us, of course. Find us drivers they can control. But-- we'll be closer to Martel, then. That's something. Maybe we can get out, then. Three Aegises in the same place... Not that they'd be stupid enough to let us get close enough to each other. But. Maybe they could be. Humans are very stupid..."
He's just talking. Some of it is to think this through, some of it because he hates silence. He hopes, selfishly, that whoever they pick to be his new driver is also Martel's driver. He knows they would never. But. It would be nice.
"This sucks," Mithos admits, to himself, to Zelos, to no one at all. "But maybe we can make it work out. Like I said, even if we aren't rescued--" And they should be, if Lloyd is at least competent enough to get Kratos out. Kratos wouldn't leave him here. "--well, they'll just take us to where Martel is, after they kill us. It could be a lot worse than that, I suppose. It could be..."
He trails off. Looks to Zelos. He still hasn't moved, or responded at all. Mithos scowls, just a little, then probes with his senses, but... Zelos' ether feels alright, undamaged. So Mithos doubts its aftereffects of whatever the hell that blade did to them.
"Zelos...?" he asks, cautiously.
Ding dong eveything is bad
Pounding ether in his veins, the numbing loss of sensation on his skin. Blinding white and tension pulling at his muscles. Static, ringing, buzzing. A voice barely penetrating the stillness like sound underwater until it reaches his subconscious--he clings to it, trying to listen for the tell-tale tone of 'let's begin' or 'that would be all' just so that he can be ready. Who knows what could happen. Who knows what they'll want.
Static, ringing, buzzing.
Through the cacophony he thinks he hears something sounding like his name.
Zelos, Ze-los. Two syllables, mumbled low, somewhere in this room. That's not quite right. He can't see anything but the stillness of these white walls as they close in on him slowly, the anticipation for pain holding him down in place without moving a single muscle, but the sound pierces through until it forces him to blink. His eyes are so dry. A part of his rational mind that lies scattered like dust particles settles against his temples, provides a fuzzy image of the colour blue. Blue, blue like the sky, like freedom. Right, he... he isn't alone, is he? He thinks he wasn't alone, at least some time ago.
A huff of air through his lips is his response to the sound. The frustration that builds when that's all he can do is unbearable, like a knife pointed in towards Zelos' own core. It's not enough, it's not enough. It will never be enough. He will never be enough. Slowly, Zelos tries again, manages a small groan. It gets caught in his throat though, some pathetic sound that fails to coalesce into actual words.
He is not enough.
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Cautiously, slowly, so as not to startle the other Aegis, Mithos moves, crawls the few inches across the floor he needs to to peer at Zelos' face. Zelos' eyes are wide open in an unseeing stupor not disimilar to Kratos on his very very worst nights. The nights where Mithos cannot coax him to move at all, the nights where going out to star gaze and remember their freedom isn't an option because Kratos doesn't trust him enough to move.
Mithos doesn't know what's causing Zelos to react like this, doesn't know what paths Zelos' mind is leading him down. But he's aware he has no idea what Tethe'alla put him through, either, for the hundred years they held him captive. Was it kinder than the cannons, constantly online, constantly active, with no rest in between? Maybe it wasn't.
Not much he can do to help, though, Mithos thinks. Not when he barely knows Zelos at all.
But there is... one thing. One thing he does for Kratos, on those worst nights. One thing that certainly couldn't hurt.
Mithos is anxious, still a little scared, still a lot furious. Underneath all that, he is also a little embarrassed. He folds his legs under him, sitting a respectable distance from Zelos. He puts his hands on his knees and straightens his back. Wets his lips. Clears his throat. Hesitates.
It can't hurt, though. Maybe it'll help.
His face is warm with embarrasment, but Mithos closes his eyes, pretends he is elsewhere, and he sings.
"Shul harum noy'him,
Ar jaruk noy'sing..."
It's quiet, and his voice soft, a little halting due to his embarrasment. It's... the words are meaningless, as far as he is aware. As good as gibberish. But it was something Father would sing, sometimes. It's soothing, even when most of Mithos' memories of his father are tainted with disdain. This song... well, it's still his favorite, despite everything.
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Static, ringing, buzzing.
Static, ringing...
Humming.
It's like ripples in water before it is like actual sound, quiet and shy notes and words carried along the edges of Zelos' subconscious as he stares off into the void. Immobile, it takes him a few minutes. This is... a song, held by a young, rippling voice. Another flash of blue across his mind brings forth some clarity, but--what does a colour even help with? What's the significance of blue against white...?
Why would anyone sing before the cannon--?
Why those colours? Who's singing, who? Why? It takes Zelos a few tries before he can cling onto any of the aimless words, and when he does, he finds himself slowly frowning. They feel like water through his fingers, formless and quiet. Muffled by static. Sluggish. Why? He focuses on the words, trying to pick anything he can recognize among them, but to no avail. These aren't words he's heard before, and they keep ebbing in the shores of his subconscious like cold water, white noise against the ringing and buzzing of his own stress. Harmonious, melodic, but utterly nonsensical. Why? Why would anyone sing? Why sing? Why sing?
Zelos exhales harshly. His eyes don't close, but at least they aren't so wide anymore. The song carries with it a blue glow against his eyelids, held there before the blinding white of the room's walls.
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He's sluggish and his mind is static. It's hard to hear anything over the maddeningly constant thump thump thump of a heart he never asked for, pounding incessently in his eardrums, filling them up and drowning out everything else. Horror grips at his chest and plays a cacophony of fear in the echo chamber of an empty resonance.
He feels
so small
that anyone who wants to experiment on him is long dead,
that the worst that could happen to him at this current moment is that he's killed.
It is a very distant part, though. It cannot scream loud enough for conscious thought to grab onto.
Footsteps.
He only hears them because he trained himself for it, to make sure he'd always know when they were coming, so he could be prepared to resist. Which is why quite suddenly after being completely immobile for the hours they have spent here, Kratos shoots upright and scrambles across the floor so he might press his back to the far wall of the cell away from the door. He breathes, heavily, terrified, and he trembles, watching, waiting, steeling himself. If they want him to move, they will have to make him.
He does not recognize Anna's voice. He does not recognize Lloyd. He does not recognize anything.
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"No!" He yells, immediately searching for a lock, or some sort of mechanism he can break, some way to pull up the wall. Zelos and Mithos are out there, separated from the rest of the party, separated from him, and they're the most vulnerable out of the rest of them, the most powerful but also the most in threat, they need to get to them -
The others. The others need to be freed, first. Before anything, they need to free the others, and Malos can't do it on his own. Lloyd swallows down anxiety fear anxiety fear not knowing if the way it grows is his or Mithos' and don't think about it or you will start to freak out Lloyd take a deep breath count to ten like Kratos said -
Kratos. Okay. He can start with him.
Taking a deep breath to stop the way he's beginning to hyperventilate - (he can't see Zelos and Mithos, can't know they're okay, and he can't help but think about the gauntlet, about being separated and knowing that they one by one fell to their deaths stop stop stop THINKING) - Lloyd turns to face the others, face the cells. He does his best to look them over from his position, and. Okay, they all look a bit dazed, but Kratos - Lloyd can't tell if he's genuinely hurt or what, and that's worrying, but he can't do anything from outside the cells. So he reaches up to his hair, pulls a bobby pin out from the side of it, and gets to work.
"Y-you're gonna be alright, Kratos," Lloyd says, trying to hide the tremble in his voice as the terror rears it's ugly head louder and louder, and he's certain something is happening to Mithos, but he can't - not in front of Kratos, Kratos can't realize something is wrong with Mithos, not like this, so he stays strong. "I'm gonna get you out, don't worry."
The lock is deceptively tricky, with hidden slots and key recognitions, but Lloyd is sure that under normal circumstances, he'd be able to pop it open within a minute. However, with the way his hands tremble, his movements become less precise, more erratic. The bobby pin snaps.
"Fuck," he mutters, staring at the lock. He could try again, pull another bobby pin and try to break the lock open in what is probably the less messy way of handling things, but he doubts he'd be able to get any sort of progress done with how useless his mind is becoming as time passes. And for all the experience he has at busting out of jail, there is little that could be done from outside the cell without keys, and Kratos is obviously unresponsive, so.
He makes up his mind.
The ether in the area is weird, completely choked and limited from how it felt outside, and Lloyd doesn't notice it until he closes his eyes, gathering as much of it as he can around him. He can feel it enter his body through the crystal on his left hand, feels the way it travels into his bloodstream in such a heavy current it burns at his insides, powerful and foreign. He gasps in pain, breaths coming out sharp as he doubles over, the ether finding its way to his shoulder blades and staying there, furiously swirling, gathering shape and form, a scorching mess that sets his nerves aflame. Biting his tongue, he holds in a yell as his wings come alive, flickering into view before taking up the expanse of the room, cyan lighting up the cold of the cells.
With his enhanced strength, Lloyd straightens himself back out, wipes a gloved hand over his clammy forehead, and finally turns back to face the lock he had tried to pick. Brute force it is, then. He makes sure Kratos is out of the way - (he's in the far corner of the cell, well away from the door) - takes another deep breath, and then angles the side of his body towards the cell door, on the furthest side from the hinges. With a moment to gather his wits about him, Lloyd throws his shoulder into the door, ramming his full strength into it.
One.
Two.
Three.
The door goes flying with a squeal as the hinges break. It smacks hard against the inner center wall of the cell, falling flat to the floor as soon as it does. Pausing for a moment to steady himself, Lloyd hesitates to leave Kratos as he is, but -
"Please do not touch me without my consent. Triggers bad memories, sometimes, if I am not expecting it."
- he should trust him to find a way back to shore by himself, if only for right now. Setting his jaw, he walks over to Sheena's cell, sends her as steady a smile as he can force with how his emotions are a jumbled mess of horror and dread, eating at the cracks in his shaky demeanor, threatening to distract him the moment he thinks of them and he needs to stop right now. "Careful, Sheena. It'll go flying."
Giving her a second to position herself away from the door, he repeats what he did to Kratos' cell, knocking it off its hinges in no time, and then fixes himself in front of Anna's cell door to do the same. All three cell doors open, all three hostages freed, Lloyd properly looks them over best he can, concern etched into every part of his expression. With the immediate distraction out of the way, his heart begins to pound irritatingly fast again, a desperate "we need to find Zelos and Mithos we need to save them we need to help them" drumming to the same tune. He's itching to leave this cellblock. "Anything we need to worry about here and now?"
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The four other members of their party approach, and Sheena's face lights up, opening her mouth to call out, and--
A door comes down, splitting Malos and Lloyd off from the Aegises. Okay. That's bad, but - there are five of them here, now, and the others are just on the other side of the door. There's no way one door can keep them separated for long, Sheena reassures herself to push down the fear and restless frustration that's gathering in her heart. Instead, she pulls that grin back onto her face, calls out "I knew you guys had it handled" to Lloyd before shutting up so he can focus on picking the lock. She sucks in a sympathetic breath when Lloyd's wings come out, but, alright, that makes sense. They don't have the time for lockpicking.
She gives him a quick nod as she gets out of the way, letting him do his thing. They'll definitely have everyone in this base in here after that level of noise, so they'll need to be fast, but that's fine. It's going to be fine. "Thanks," she tells him, grateful, as she makes her way out of the cell to join him and Malos. "You guys probably know more than we do, though. We've been--"
That's as far as she gets before the emotional bleed crashes down on her, and it'd been heavy before but it's crushing now with something every word she has is too weak for. Sheena gasps, doubles over as she fights it unsuccessfully for even a shred of space to breathe.
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With a slam and the ringing of crashing metal as Lloyd breaks the cell door off its hinges, everything slots into place.
It's still fuzzy, terror gripping him too tight, muscles not wanting to move, but Kratos realizes-- this is a rescue mission. He watches as Lloyd turns and sets about freeing Sheena, then Anna. Breathes. Breathes. Breathe, Kratos, just breathe. He's fine, it's fine. They're going to get out of here. That's all he wants, isn't it? Freedom?
Something nags at his brain, though, as he counts the people in this room, recognizing them vaguely, but more importantly knowing some are missing. Who's missing? Who's--?
Sheena collapses, suggesting something on her blade's end. On Zelos' end. Oh, Architect, where's Zelos? Where's Mithos?
"Shit, fuck," Malos says, sharp and somewhat despairing. "Sorry, I shouldn't've-- Shit." It's like water in Kratos' ears, barely understood. Kratos focuses on stepping out of his cell in the meantime, as Malos keeps talking. "We need to get out of here before anything else. Ether's all fucked in here. Me and Kratos are both gonna be useless. I- could probably carry Sheena though, if I gotta. Lloyd? Anna? Any ideas?" After a second, he sends a hesitant, cautious look at Kratos. "Kratos? What about you?"
Kratos shakes his head. He has no ideas, and his voice isn't somewhere he could voice them even if he had them. He wants the ether to go back to normal, though. And maybe once they're out of this ether suppression field, he can sense Mithos' ether signature and lead the way to saving the Aegis.
That's all that matters. Getting out. Saving Mithos.
(Zelos, too. It's just hard, through the haze of panic and bad memories and lack of ether for Kratos to think about anything that isn't Mithos or getting out of here for longer than a few seconds.)
"I don't have any ideas, either," Anna says. "Lloyd..." She begins, almost like she's going to ask a question, but doesn't commit to it. "Well? What can you do?"
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He feels lightheaded, almost, with the way the emotional bleed screams a song of terror, but nows no time to freak out. Lloyd considers shutting off his emotions, using that space instead for rational thinking, but thinks against it at the last minute - the emotional bleed is a good way for Mithos to be able to tell that he's still being driven by Lloyd, and whether or not he particularly cares for Lloyd doesn't matter as long as he realizes that for all intents and purposes, he's still free. Sylvarant hasn't taken his driver, so there's still hope. Taking a deep breath to calm himself, Lloyd tries his best to send off what he hopes is reassurance, something like a "it's not over yet, we'll save you," and then returns himself to the current scene.
Anna and Malos both look at him, asking for some sort of answer, and, well, he doesn't have any that he can think of. The door keeping them in is less a door and more of an automatic wall, with no proper locking mechanism or anything to use on their side of things - just layers of smooth concrete, lined with a thick coating of poly-carbonate, if Lloyd had to guess. They can't risk being caught in here with a bunch of guards, Lloyd rationalizes, glancing at the half-aware forms of more than half the party, and he supposes he might be able to slam into it like he did the cell doors, but at the rate that he'd be able to break through...
Biting his lip, setting his shoulders, and continuing to send more hope through the emotional bleed, Lloyd approaches the trap door. It came down from above, right? So there has to be a sliding mechanism in place within the ceiling, something Sylvarant assumed can't be tampered with through the sheer weight of the door.
But then, this Sylvarant has never dealt with super-powered angels before, have they?
Lloyd drops into a kneel in front of the door, sliding his fingers as close to the edge of the door as he can, and as soon as he's able to find a grip, he begins lifting it up. It's heavy - heavier than anything he's tried to lift before, probably well over three hundred pounds, and even with the enhanced angel strength, he finds himself straining, with a grunt, to keep it up. But eventually, he's able to raise himself up with the weight and hold it up, creating enough space for everyone to at least bend and walk through.
"C'mon," he croaks out a little, focused as he is on holding the door up, on keeping his trembling arms from giving. Gods, this is so heavy. "Lets go, I don't know how long I can hold this for."
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"I-- I don't," she chokes out. Reaches out to the nearest bar to try and pull herself up, without any luck. They don't have time for this. Somewhere, past the rush and haze of the emotional bleed, Sheena's frustration builds.
And then, somehow, the static eases up, just a little. Not enough, but - enough for her to find the space to take a breath. Process a little more of what she'd heard. "Not sure I can walk. Sorry," she manages, with a self-deprecating smile more or less in Malos's direction. At least she's still on her feet, if crouching down and hunched over counts. What the hell are they doing to Zelos, that the emotional bleed makes the aftermath of their last shared dream feel pleasant by comparison? How bad is it for him right now? "We need to..." Maybe making plans is a little more than she can handle right now.
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And then, as if watching him break the cell doors off of their fucking hinges wasn't impressive enough, Lloyd goes and lifts the goddamn wall like it's nothing. Well. Okay, he seems to be struggling, but still, holy shit holy shit holy shit. Anna's somewhat terrified, mostly awed, a lot proud.
Kratos ducks through, first thing. Anna can't blame him.
"Hey, no problem," Malos tells Sheena, as he bends down to scoop her up. "I don't mind." And he ferrys Sheena past Lloyd.
"Thanks," Anna tells Lloyd, as she slips past him. "That's--" She can't think of what to say. "Incredible," she settles on. She's kind of worried about him. Now probably isn't the time. "Good job," she says, instead, and because she doesn't know what to say she slides forward to check on Kratos, real fast.
"Kratos?" she asks. He's taken a few steps down the hall, eyes scanning, rigid and clearly on edge, but-- more responsive than earlier, at least. Maybe she shouldn't press him, but. "How you doing?"
He hesitates long enough she isn't sure he'll answer, but then: "Nine," he gets out, kind of croaky.
Not quite a panic attack. Very close to one. Alright. "Gotcha," Anna says, in acknowledgement. "You gonna be... okay? While we get out of here?"
"Have to," Kratos answers. "Mithos."
Anna nods. Swallows. "Kvar's dead, remember," she says, quietly. "You're alright. He's not gonna--"
"I know."
"Just wanted to remind you. That things are okay. That no one's going to hurt you," Anna says, persistent, if uncertain. "Thought maybe it'd help."
"Thanks." It's terse, so it's hard to tell if he means it, but she has to forgive him for his one-tone, one-syllable answers, right now. The fact she's getting words out of him at all is a miracle. Finally he turns, and he stops, eyes locking on a path down the left. He must've picked out Mithos' signal. "This way," he says, and starts walking.
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“Hold on,” Lloyd says, as Kratos begins walking. “Anna and Sheena’s weapons should be close. They need to be armed, too.” And experience with these kinds of jails tells Lloyd that if the cell block was right here, a guard post should be close by, too. He walks straight forward, keeping alert for any stray guard, and takes a right in a small alcove. Though the room looks like it should have a guard in it, it’s empty. Lloyd wonders, for a minute, if the guards are preoccupied with whatever is happening to the Aegises, takes the moment to send off more reassurances to Mithos, and then picks up the pace. There’s a lone desk in the room, and shoving open a drawer with a lock that can’t put up against his enhanced strength, he finds Sheena’s knife and what has to be Anna’s dagger.
Weapons found, he returns to the party and hands Anna her dagger back. Sheena can’t walk yet, but he hands her her knife back, too, and then turns back to Kratos.
“Lead the way.”
The hallways are far from empty. Kratos leads the party through twists and turns, sterilized hallway leading into sterilized hallway, and along the way they encounter various grunts and guards wearing the Sylvaranti military uniform. With Malos and Sheena out for the count for the moment, Lloyd, Kratos, and Anna are left with the responsibility of taking out any enemies, and they do so efficiently and quickly. The attacks may be a little brutal, a little merciless, but Lloyd certainly can’t blame Anna and Kratos for being vicious when he’s being much the same.
Before long, Kratos gets them to a room with several guards and people in labcoats all around. They stand as the group enters in, half-battered but fully determined, and it takes less than a few seconds before shit hits the fan and goes to hell. Lloyd takes notice of the large steel double doors in the back of the room, a computer and keypad attached to the wall next to it, and guesses that must be where the Aegises are being held. It’s time to get them out of there.
And with that thought, he spins into attack, meeting a guard’s blade with his own.
THE ALPHABET SOUP; IT SPELLS FUCK
Malos deposits Sheena as gently as he can and-- once everyone has their own personal shield established-- says: "Alright, let's start moving towards the door. Getting Mithos and Zelos out is the best thing we can do right now." His ether levels have regulated by now, so he's alright, but still, cutting a path to the door is best choice, right. "Dunno how we'll get in, but--"
"I got it," Anna interjects, smile bright and sharp. Knife twirling in her hand, she lunges at the nearest asshole in a labcoat and slams them against the wall, shoves her knife under their chin. "You mind telling me how to get to the Aegises, you bastard?"
Though visibly shaken, the scientist doesn't seem particularly scared. "It won't matter what you do. Reinforcements are coming."
"Not fast enough to save your life," Anna counters, her smile not dropping an inch. "And I'm not above putting this knife somewhere uncomfortable until I get the answer I want--"
"I wouldn't be so sure of that."
And then there's a sound like a ringing bell, then something happens to the ether in the room.
Anna doesn't feel it but she does feel the sudden pain in her chest, sharp and burning, whips her head around to Malos just in time to watch him stagger, all of his shields flickering and then vanishing from existence. He puts a hand on the nearby wall to steady himself.
(Out of Anna's immediate range of vision, Kratos drops to his knees and quite suddenly forgets how to breathe. His mind sings tight and loud with terror terror terror terror terror terror terror.)
Anna slits the throat of the person she's holding-- she can ask someone else-- and then turns to find the source--
A blade. The only blade in the room that isn't someone Anna knows. Her green hair is tied back, and she raises her staff to the sky.
we fucked it again
Lloyd forces himself to stand, legs trembling with the way his body attempts to use ether that is no longer there, wings drooping and flickering around him, barely metaphysical anymore. He can't understand why he feels like he can't breathe, but the most he can process in-between bouts of searing pain and rapid-fire anxiety is the fact that one blade is causing all of this, one blade that looks exactly like -
"Tabatha?" Lloyd rasps out, grabbing at his chest. What have they done to her in this universe?
He doesn't get an answer, only catches a sudden rush of footsteps from his right, turning in time to be able to throw himself out of the way. Lloyd grabs at his swords, weakly brings them up to defend himself against another attack, but a different guard gets involved, and he finds himself panicking to keep up, breaths coming out uneven and choppy. He can barely keep himself standing against the strain, but he tries, forcing his side of the emotion bleed as calm as he can be, all things considered. He doesn't need to freak Mithos out, not like this.
ME LOOKING AT THE GROUPCHAT LAUGHIGN LIKE HA HA IT JUST GOT WORSE
No ether no ether no ether no ether not again not again not again not again.
There's a coldness, left behind in its absence. A sharp, chilly horror that clings to his bones. Kratos trembles, unaware of when exactly he dropped to his knees, clinging to his sword even as its form wavers because he does not want to be defenseless, not again, not like this.
He can't stand up. He can't. He can't--
Breathe, Kratos. Breathe. The levels aren't that low. His ears are ringing, and his chest is tight, and it's going to be difficult to fight like this for long but his sword is still in his hands and so
get up
fight back
you are not going to be taken again--
He can't he can't he can't make himself move he can't make himself do anything muscles trembling heart pounding thud thud thud THUD THUD as fingers brush against his arm--
AAAAAAAAAAAA
Lloyd-- though seemingly in pain-- has it handled. Whatever the ether's doing in here can't be good for Malos but he isn't having a goddamn panic attack, right now. She crosses the distance between her and Kratos as fast as she can, arms hooking around Kratos' would-be attacker and--
She makes a decision. Turns and tosses them straight at that Architect-forsaken blade. Both bodies go sprawling.
"I'm here, Kratos," she promises, back to him. "And if anyone even thinks of touching you I will slaughter them."
THIS IS FUCKED
Seeing them go down reminds her of what it is she needs to do to fix this, and she slams the door shut on the emotional bleed, cutting all but the tiniest thread off. There's a tiny bit of guilt in the back of her mind - whatever they'd done to Zelos, he doesn't deserve to be alone for - but she sets that aside, too. He's still with Mithos, and his driver feeling just as awful as he does isn't going to do anyone any favors if they all die for it. She feels better instantly, even with the sick airless vibe to the room, immediately pulling her cards out and imbuing one with power (it takes more out of her than it should, unable to draw from the ether in the room, but it's fine, it's not important) before throwing it in the direction of the pair Anna just sent flying. That should slow them down, even if it probably won't kill. In the meantime, she whips around, glancing over to the door and its locking mechanism for just a second before she lunges at another lab tech, kicking out with one leg to sweep them off their feet. She stands over them, cards splayed in one hand, absolutely furious.
"You saw what happened to your friend," she says. "Unless you wanna follow them, tell me how to open that door."
Maybe it's the cold anger in her tone or the fact that Anna did just absolutely murder someone working in Sheena's favor, but the scientist reaches into a pocket, trembling. She tenses for a moment, ready to attack, but what they pull out is just a card.
"H-here," they say, voice shaking along with the rest of them. "Take them and go, my research isn't worth this--"
Sheena snatches it from their outstretched hand, turns away without a word back to the door. Alright. How does this work? It takes her a second to figure out which end goes where, holding her up just long enough for one of the guards in the room to try and tackle her. She swears, rolling with it and elbowing him hard enough to make him let go, using the extra space to punch with the hand holding her cards as she puts the force of an arte behind it. The guard staggers, slowed by her spell, and she takes that time to shove the keycard into the slot. A light on the keypad flashes green, the doors clicking open as the lock unlatches, and Sheena throws them wide, managing to clock the slowed guard with one.
"Zelos?" she calls, immediately. "Mithos?"
HI IM ABOUT TO MAKE THINGS WORSE
You feel a pinging, from the network.
A request for access, tentative in ways that such a thing really cannot be.
A message comes along with it, transmitted in morse code.
I can help you get out. But it might hurt. I'm sorry.
THANK YOU FOR THIS
But this particular signal, it sticks around long enough for Zelos to hold onto it, familiarity and curiosity both grabbing his attention and pulling it away from Mithos' song. He's... felt this before, hasn't he? He's heard this wavelength before, but not this gently, not this shyly, and definitely not this remorseful. The song fades in the distance, a distorted echo of itself as Zelos follows the message. And as he pushes himself towards it, tingling in his hands, buzzing behind his eyelids--Zelos feels that power once again, laying in waiting, that white noise he's only felt in his dreams before cutting into the song.
With the signal comes a flash of red, the image of a city of glass, and a request.
Oh.
Well, it's... it's not like Zelos has any other choice here, does he?
It's you again, comes the Aegis' slurred voice in his own mind. He doesn't know if it'll be heard, but he can try. Let me out. Just let me out. I don't care how. I can't move, anyways. Let me out.
I'M NOT SURE YOU SHOULD BE THANKING ME BUT
FUCK YOU, DAD
ZELOS IS DEAD
🦀🦀🦀
DON'T CRAB RAVE AT A TIME LIKE THIS!!!!
FOLLOWS UP THAT INCREDIBLE TAG WITH A TINY ONE
IT'S FINE IT'S FINE
I AM TENDER?
MITHOS GETS HEAVY ON MAIN
WHEN'S THE FUCK GOD CLUB GETTING FOUNDED
(MITHOS VOICE) RIGHT NOW
Lloyd is volunteering to make club t-shirts
oh HELL yes
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SORRY FOR THE WAIT FOR SUCH A SHORT TAG
SHH I LOVE IT
SORRY I'M LATE I WAS GETTING DERRIS KHARBUCKS
OH DID YOU GET ME SOMETHING
i want a cruxis latte
well i bought 3 black coffees but they're all for me
rude,
you know what though that's fair
let's all go on the coffee run together next time
anna's paying and she can't tell me no
time to get a seraphim frappe
Lloyd cant feel exhaustion anymore but pls know if he could hed be about to take a depression nap
if he wants to nap it's fine malos can carry him around when they move
oh piggyback ride time
(malos voice) like lifting a couple of grapes
lloyd gets a kick out of being like nine feet tall
malos jokes about throwng hims straight to the moon
somewhere distantly that feels familiar to lloyd but he can't put his finger on it
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mithos why
killing your first love is fun, friends!
ARE YOU KIDDING THIS IS HORRIBLE!
DID I SAY FUN, I MEANT TRAUMATIZING
CLEARLY! I'M FILING A COMPLAINT
WHO ARE YOU GONNA FILE A COMPLAINT TO, THE "MURDER OF JRPG LOVE INTERESTS" BOARD??
NO I'M FILING A COMPLAINT TO GOD!!!!!!! WHY DOES HE ALLOW SUFFERING!!!!!!
FUCK I FORGOT TO CHANGE THE SUBJECT but good point, @ origin what's your deal
I WISH I KNEW
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God i’m so sad i lost the og tag and it was so good
curb your enthusiasm but it transforms into kaine salvation i have just created a terrible shitpost
AND SHIT HITS THE FAN
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THE IRONY OF THIS TAG....... VS THIS URL..............
[Ironic starts playing vaguely in the distance to the instrumental of curb your enthusiasm]
curb your irony
Brought to you by the Apollo Justice OST
thank you apollo justice
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Hey what's up guys, the reports of my death have been greatly exaggerated
WHAT'S UP CAN I GET OUT OF HERE
DON'T THINK SO ALSO I REALLY DID MAKE HER WAIT AND HOPE
IT'S FINE IT'S FINE
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The idea that Kainé Salvation is playing through this is killing me actually
no one in this thread can keep any fucking dignity
Zelos has been dead for five slutty, slutty months
it's less than a year this time! it's fine!!!
HE STILL WAS DEAD AND SO WAS I
AAAAAAAAA
[Returns a month later with Starbucks] You like jazz?
I like trains
[GETS RUN OVER BY A TRAIN AND DIES AGAIN]
NOOOOOOOOO
WHAT'S UP I FINALLY HAVE SPOONS, WANT SOME